“Beautiful Paintings are portals to another world, reminding us of the Wonder in our own.”
-Joyful
Get the whole story and take a deeper dive into my artistic journey.
Hi I’m Joyful!
Iʼm a fine artist specializing in oil paintings of the underwater world. The magic and wonder of the ocean has always captured my imagination. As a child, I would spend my afternoons reading books about sea creatures and drawing them. My first sketchbooks were made out of the fly-leafs of my fathers books. Recurring adventures of breathing underwater and exploring the ocean with pods of whales filled my nighttime dreams.
As I grew up, that childlike wonder was lost - crowded out by the pressures and pains of accumulated trauma. At the young age of 22, I almost died. Only a miraculous act could explain how I survived. God gave me a second chance at life and reawakened within my heart a sense of love, purpose, and wonder. The aquatic dreams returned, reminding me of a calling to pursue creating marine wildlife art. With the help of friends and family, I moved to Florida to pursue a formal, representational art education and to study aquatic life.
Education
During my time in Florida, I completed both a Bachelors and Masters of Fine Arts Degree in Studio Art and Painting, and also studied with Master Artists such as Brian Jekel, Derek Penix, and Greg Beecham.
Conservation
Collaborating with conservation groups and becoming scuba certified worked hand-in-hand with my artistic studies to help me authentically connect with my subject matter, develop proficient artistic skills, and cultivate a unique voice and style.
How I Work
Primarily I paint with oils, blending palette knife and brush techniques to create a harmonious balance between accuracy and expression. This sensitivity guides my style, capturing an authentic experience of the underwater worlds energizing atmosphere, movement, color, and light. Through beauty, these aquatic portals serve to reawaken wonder and hope for all people.
Collaborations
Collaborations with other wildlife artists, naturalists, marine biologists, and conservationists help continue to educate my understanding and appreciation for marine wildlife as well as create an avenue to support ocean conservation efforts through my artwork. Some of the organizations with which I am pleased to partner are the Coastal Conservation Association, 4Ocean, and the C.A.R.E. Center.
Accolades
Over the past several years, my work has garnered awards and international attention through museum and gallery exhibitions, press coverage by publications such as Southwest Art and Fine Art Connoisseur, Artist Grants through the Stobart Foundation and the Mystic Seaport Museum, and membership in prestigious artistic organizations such as American Society of Marine Artists, The Society of Animal Artists, The Oil Painters of America.
These experiences have greatly enriched my artistic journey and have provided me with the opportunity to share the beauty of the underwater world with more people than I ever thought possible.
Where to find my art
Currently my work is represented by the Annapolis Marine Art Gallery, Gupton Gallery, and Tabora Galleries.
Currently I’m based in the Pacific Northwest of Washington State.
All tools and materials I use for creating have been carefully selected with you in mind. Using only the highest quality materials ensures the luminosity and longevity of every work of art - making them true heirlooms for many generations.
Painting Tools
Primarily I use a combination of brushes and palette knives when painting. Rosemary & Co. hand-makes superb quality brushes with durable, “springy” hairs. These brushes move and hold the paint well, allowing me to create a wide variety of brushstrokes and textures. I utilize a variety of their synthetic and bristle brushes, but my favorite workhorses are their long-handled Eclipse Filberts. My go-to Palette knife is the Holbein MX-1066s. It’s a relatively small knife with surprisingly flexibility that helps me build up unique textures and crisp edges. There are some effects in my work that only a knife can achieve, especially when capturing lighting effects.
Oil Paints
Although I enjoy experimenting with different paints from time to time, Michael Harding Oil Paints are my primary choice for colors on my palette. Michael Harding paints are hand-crafted out of natural materials in the tradition of the old masters and contain no chemical fillers or extenders. This ensures the color’s intensity and prevents cracking, brittleness, and wrinkling over time. Some of my “special” colors are Michael Harding’s “Cobalt Teal” and “Brilliant Pink”
Surfaces
For my style of work, I find that I continually gravitate towards working on either an extra fine double oil-primed linen or ultra-smooth gessoed birch wood cradled panels. For linen I use Clausenn’s #13 extra-fine, double oil-primed linen. These surfaces are both highly durable and work well for creating that slick, wet look of the underwater world.